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Recipes In Collision

New Year Curry

I’ve always wanted to make curry and after staring at three recipes for way too long decided to try it like this.  I wasn’t going for anything too spicy and was happy with how this turned out.  Serve over basmati or jasmine rice. Makes 6 large servings. Use a deep 12” non-stick skillet.

2 T. olive oil
3 lbs. boneless skinless chicken breasts
2 medium-large white onions, chopped
4 cloves garlic, minced
2” ginger root, minced
1 t. cumin
1 t. mustard seed
1 t. ground pepper
1 t. tumeric
2 T. curry powder
2 large tomatoes, chopped
1 cup coconut milk
2 cups chicken stock
1 t. cinnamon
1 t. salt
1 t. garam masala

Cut chicken into cubes and brown in oil. Remove chicken and add chopped onion. Sauté until tender. Add garlic and ginger. Stir in cumin, mustard seed and pepper. Cook about 2 minutes or until mustard seeds start to pop. Add tumeric and curry powder, stirring regularly to prevent sticking or burning. Cook another two minutes. Add tomatoes and stir until forms a thick sauce, about 4 minutes. Add chicken, coconut milk, chicken stock and cinnamon. Cover and simmer for 20 minutes. Stir in salt and garam masala. Simmer uncovered for another 20 minutes.

Small, locally-owned businesses offer the concept that our purchase will have a direct impact on its owners and employees, and actually make a difference. That’s why I called a nearby landscape supplier, to give them my business and to ask if I could get help weighing three pails of stone and loading them into my car. This wouldn’t be a problem, the employee assured me, and someone could meet me in the yard in ten minutes. “Thanks,” I said. “I’m disabled and would really appreciate it.”

Spotting me among the piles of stone was easy; I was the only person in the entire yard. I lined up my pails in front of the blue crushed rock and waited. After several minutes, two more customers pulled into the yard and they waited for an employee with me. After several more minutes a dump truck pulled in and I knew by its logo that my help had finally arrived. After it had parked, the driver got out and waited on the other two customers, but when he was finished with them, went back to working in the yard. Then, he went into the yard office. Then, he came out to get the mail. Then, he went back into the office. Never mind that he seemed determined to take the longest possible time between each of these points.

I knew he saw me. He looked right at me when he entered the yard, but I continued to wait anyway. When he finally came back out to mail something I decided to remind him that I was waiting for his help. I yelled, “Is there a shovel we can use?” But without even looking at me or saying a word, he pointed to one hanging on the side of a building. Then, he walked back into the office. That’s when my patience ran out.

How badly did I need this particular stone? How much more of this was I expected to take? I called the main office three miles away and expressed my frustration, then waited some more. When the driver left the office again, I saw him grab the shovel and walk toward me. When he finally reached my car he said nothing, just leaned the shovel against the car’s bumper and walked away. Was this really happening? I couldn’t believe this was happening. After throwing my empty pails back in my car I expressed my high level of disgust over his unwillingness to help me, yet all he could say was, “Well, it’s too bad you feel that way. Have a nice day.” Before driving home I took a short detour.

When I arrived at the company’s main office I asked to speak with the person in charge, but instead of the owner or manager coming out to greet me, I was told, “He said you can go back there and talk to him,” and the employee motioned toward the back office. Honestly, how much worse was this going to get? Even with my cane it was a challenge getting back there, but by that point I was up for it. There sat the owner and his wife but neither of them looked up or greeted me. What left my mouth was nearly duplicated from what I had just told their driver, only what followed was much worse. Even without an ounce of sincerity, he at least said, “Have a nice day,” yet after recounting my experience to the owner there was nothing but silence. No resolution, no compromise. I guess I could rule out any form of an apology, too. There were, however, a few things they managed to say before I was done talking, but those served only to make things worse. They stated always having done business this way, never helping customers in the stone yard, and staying in business for 52 years. They were so proud to stand their ground. “Wow. 52 years,” I said. “That is a long time for anyone to stay in business. But how does that help me?” Neither of them opened their mouths and they continued to just sit there like two turds. Their silence was more offensive than being told to take a hike. It took me a while to get back to my car but offered them plenty of time to reconsider and call out to me. Still, nothing.

Never before in my life have I felt driven to carry a sign. In fact, whenever I see people protesting and marching around I immediately think, “Oh, come on. What is this, the ‘60s?” But that’s only because I hadn’t experienced something so personal and inhuman as being refused help when I needed it. When the weather is nice you can see me from northbound 251, sitting right next to the driveway of that locally-owned business. I’m easy to spot. I’m the only guy out there holding a sign.

I know I sound like a crotchety old bastard, but is this for real? One lousy bottle of apple juice made from apples grown in 10 different countries? I’ve never been a big “buy U.S.” flag-waver, but it is pathetic that we have to import apples from all these places. I mean, it’s not like importing durian fruit or tungsten. It’s fucking apples. And from the same label is this semantic doozy: “100% juice…with other ingredients.” That’s like giving someone pure drinking water “with other ingredients.”

This is one of my favorite food labels (and I’ve saved up quite a collection by now.) “Waves of tiny structural hair”? Ugh. Really? I just want some raspberries, please. All that structural hair makes me think of Japanese horror movies or that scene in The Fly when Geena Davis complains about Jeff Goldblum’s course back hair. And why the caveat that all those flavor droplets are held together, well, “most of the time anyway”? It really wasn’t an issue until you started making excuses for the droplet-to-whole berry ratio. I understand I’m not buying fresh berries and have to accept a certain amount of storyline with my food, but this is taking things too far.

I mostly bought into this modern remake of Dracula, with all its unique charm. It’s dark and funny and beautifully filmed. Elina Löwensohn plays Nadja (Dracula’s daughter) struggling with her relationships with her brother and her new lover, while trying to carve out her own identity free from her father. (It’s much more interesting than it sounds, believe me.) Actress/novelist Galaxy Craze is captivating in her androgynous and understated portrayal of Lucy. David Lynch has a cameo appearance as a morgue clerk. And the whole movie is full of quirky little moments and odd, yet believable, snippets of dialogue.

The film is shot in beautiful black and white. There are lots of wonderful scenes that take advantage of this choice, but my favorite has to be the brief shot right after Van Helsing warns that Dracula could rise again from the grave. The camera cuts away to a lit and growing “snake” — that harmless fireworks toy that we loved as kids. The foaming ash writhes and grows just as we imagine Dracula will if he ever gets another chance to walk among us. This dead/alive snake metaphor for vampires was wonderfully original and really stuck with me. It’s amazing that there are any artistic twists left in such an old genre like vampire movies, but writer/director Michael Almereyda hit on a brilliant one.

At times, though, the movie seemed a little flat, mostly due to Peter Fonda’s stilted rendition of Van Helsing. His acting was wooden and slow, but in a way, I suppose, this too added to the fun. The real flaw of Nadja is that I tried to watch it over three late nights while fighting with a failing DVD player AND a bad copy from Netflix. After the third failed try to finish the movie, I popped it back in its mailing sheath without ever seeing the last 20 minutes or having followed the narrative closely enough to think about the bigger themes of the movie. See you next time at the top of the queue, Nadja.

This song sounds like it was tossed off in a matter of 20 minutes, which includes any time required to get the band set up and ready to record. One look at their equipment list will tell you how that’s possible; garage sale drum set, two guitars, one amp. But that’s the beauty of Hound Dog Taylor. His songs are ramshackle and raw, like each one was captured in its energetic first take. Any more time spent to improve the sonic quality, tuning included, would rob his music of what makes it so much fun.

Hide The Coleslaw

I had just started enjoying my food when a hand appeared to my left, robbing my plate of a slice of ham. It was Craig alright, and I looked up just in time to see him slap it against Christopher’s face. I was laughing too hard to expect it to continue when that same warm slice hit my cheek. And so began another Becker Stampede on July 10th, this time in Goodells.

Among the highlights were golf cart rides around the ponds, the incredible food, a bean bag toss showdown, feeding the catfish every morning, enjoying the gardens, and a wonderful visit with Grandma Parker in Marlette. And since no family gathering at Terramor Farm is complete without a crazy side project, Dad came up with one involving a step ladder, a water pump, and a pitchfork, which actually worked.

Being together with the entire family is a rare occurrence but the feeling it produces is powerful and lasting, even if it means putting up with displaced lunch items.

Back when television offered only what broadcast over UHF and VHF frequencies – usually about six channels total, but depending in which direction your antennae was pointed – I fondly remember staying up late to watch In The Heat Of The Night with Dad and Craig; Christopher wasn’t old enough to join us.

There’s a scene where a creepy café guy uses a knife to open the jukebox, and once the song starts playing he gives us a little dance. This scene was originally shot using a different song, the already popular “Li’l Red Riding Hood” by Sam the Sham & the Pharaohs, but a licensing problem prevented its use in the film. Quincy Jones co-wrote this substitute and it fit perfectly, just like how the rest of his score fits the entire film. It propels the action sequences, creates suspense, and helps remind us what the Deep South was like in the ‘60s.

“And Casper Wept.”

I used to wonder what made a documentary great. Was it just the subject matter that I liked or the way it was presented? After watching The Devil & Daniel Johnston the answer was clear. It has to be both.

At an early age Daniel Johnston was unable to fit in with his surroundings. While under his parents’ Christian umbrella his siblings got jobs, got married and had families. Even his friends – though artists themselves – understood life’s practical side, but Daniel wasn’t buying any of it. This wasn’t due to a rebellious phase; he was simply following his own agenda and understood little else. He drew, made films, recorded music – he also worked at McDonald’s – but nothing about what he created was studied or modeled after anyone’s work. As a lifelong friend recalls during an interview, if he wanted to draw he simply grabbed some paper and started drawing. But as he became increasingly fixated on his hobbies, specifically his songs and the messages behind them, he’s diagnosed with bipolar disorder.

His life story is heartbreaking but has its share of triumphs, the greatest being that this film exists. Assembled from hundreds, maybe thousands, of pieces from his archive I can’t imagine the process of sifting through everything, knowing that only a fraction could be used to summarize his life so far. Home movies, short films, drawings, photos, cassettes of music and conversation, performance footage, and interviews span a period of over 40 years. His family, friends, and business partners – even a few celebrities – talk about the effect he’s had on their lives yet each story feels like a mini documentary in itself with Daniel at its center.

Comparisons will be made to Syd Barrett, Roky Erickson, and Brian Wilson but on a more personal level I couldn’t help being reminded of the late John Wright of Port Huron, Michigan. Like each of them, Daniel Johnston followed an individual path but their lives had striking similarities.

I certainly didn’t have an appreciation for Graham Parker when I saw him warm up for Journey in 1979. Those two artists seemed as likely a match as when Prince warmed up for The Rolling Stones. However, when Squeezing Out Sparks was finally reissued in 1996 it became the cornerstone of my growing interest in Graham Parker’s music. The release of Your Country slipped by me but I eventually found it one day by accident. After all these years his writing is strong as ever; snarling and biting in one song, sensitive and touching in the next. The influence of country music makes it a perfect home for this duet with Lucinda Williams.